Barry X Ball
b. 1955, Pasadena

Envy, after Giusto Le Court (1627–1679), 'La Invidia', c. 1670

2008–19

Marble, stainless steel Pedestal: Carrara Marble, stainless steel, wood, acrylic lacquer, steel, nylon, plastic
Sculpture: 58.4 x 43.8 x 24.1 cm (23 x 17 1/4 x 9 1/2 in.) Pedestal: 114.3 x 35.6 x 30.5 cm (45 x 14 x 12 in.) Sculpture and pedestal: 172.7 x 43.8 x 30.5 cm (68 x 17 1/4 x 12 in.)

Description

“There is a long history of artists making works "after" those of their forebears. Although employing an advanced technological armamentarium, I am also working in that ancient tradition. Fueled by love, I'm reaching way back to a time centuries before the Modernist Revolution, searching for a way to make something equally revolutionary.”—Barry X Ball


Depicting an allegorical personification of Envy (L’Invidia), Barry X Ball's Envy embodies the central theme of his innovative practice: the search for perfection in the revitalization and reinvention of historical sculpture. The present work is modeled after Giusto Le Court’s masterful seventeenth-century sculpture of the same name housed in Ca' Rezzonico, Venice. Envy closely follows the model of Le Court’s sculpture, yet clearly certain elements allow for distinction – the use of modern indigo and gold Carrara marble, the completion of the sculpture from all angles rather than being purely frontal, and more naturalistic and soft curved edges instead of sharp edges characteristic of the Baroque, although the artist leaves certain fissures and imperfections in the stone visible, working with the natural state of the material and emphasising its beauty and complexity. Furthermore, Envy includes a custom artist-designed-and fabricated pedestal assembly which is an integral accompaniment to the sculpture.


Barry X Ball’s sculptures, although paying reverent homage to their historical antecedents, are completely new. Through the use of unconventional materials and innovative methods, the artist reinvigorates the age-old tradition of figurative stone sculpture. Ball employs an elaborate array of equipment and procedures to realize his works, ranging from the cutting edge to the traditional, from three-dimensional digital scanning, virtual modeling and computer-controlled milling to hyper-detailed hand carving and polishing. With their simultaneous penetrating intensity and surreal stillness, Barry X Ball’s bold works make an expansive case for the reconsideration of contemporary sculptural practice.

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